The L125 Chair begins with the triangle as its fundamental geometric unit. Through a continuous process of joining and folding, it forms an integrated whole that constantly shifts between structure and form. The chair reads almost like a gradually unfolding path - extending from the ground to the seat, then turning upward into the backrest, with each transition defined through triangular relationships. In this process, the piece exists in a state between architectural construction and planar composition, where structure itself becomes a language that can be read and perceived.
At the same time, the woven surface is embedded within the rational wooden framework as a softer counterpoint. In contrast to the clarity and rigidity of the geometric structure, the woven straps introduce a more delicate tactility and subtle tension, allowing the body to find natural support and cushioning upon contact, while also enabling traces of use to gradually emerge over time.